{"id":3290,"date":"2018-12-05T12:53:58","date_gmt":"2018-12-05T12:53:58","guid":{"rendered":"https:\/\/redondocristina.com\/una-cierta-oscuridad\/"},"modified":"2018-12-07T13:08:04","modified_gmt":"2018-12-07T13:08:04","slug":"una-certa-foscor","status":"publish","type":"post","link":"https:\/\/redondocristina.com\/ca\/una-certa-foscor\/","title":{"rendered":"Una certa foscor"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Aquests darrers dies he visitat l\u2019exposici\u00f3 \u201cUna certa foscor\u201d al <a href=\"https:\/\/caixaforum.es\/barcelona\/globalsearch?search_query=comisart\" target=\"_blank\" rel=\"noopener\">CaixaF\u00f2rum<\/a> de Barcelona. L\u2019exposici\u00f3, comissariada per Alexandra Laudo, s\u2019emmarca dins del programa <a href=\"https:\/\/coleccion.caixaforum.com\/comisart\" target=\"_blank\" rel=\"noopener\">Comisart<\/a>, i planteja la relaci\u00f3 entre el valor del culte de les imatges i el valor de l\u2019exhibici\u00f3.<\/p>\n<p>A l\u2019exposici\u00f3 podrem gaudir d\u2019algunes peces d\u2019art de Joan Brossa, Jos\u00e9 Maldonado, Perejaume, Christo, Tim Rollins y el K.O.S, Juan Francisco Isidro, Pedro Mora, Hiroshi Sugimoto, Pedro Torres, \u00c0ngels Rib\u00e9, Jo\u00e3o Maria Gusm\u00e3o + Pedro Paiva, Pedro G. Romero, Ira Lombard\u00eda, Pol Gonz\u00e1lez Novell, Martin Parr, entre d\u2019altres i estar\u00e0 en exposici\u00f3 fins al 5 de gener, a Caixa F\u00f2rum de Barcelona.<\/p>\n<p>Aquesta exposici\u00f3 pren com a punt de partida simb\u00f2lica el robatori de la Gioconda que es va produir al Louvre el 1911, per a tractar temes que tenen a veure amb la generaci\u00f3 de les estrat\u00e8gies d\u2019opacitat i de resist\u00e8ncia al r\u00e8gim visual, per\u00f2 tamb\u00e9 tracta sobre la manera en qu\u00e8 actualment observem les imatges.<\/p>\n<p>Si b\u00e9 \u00e9s cert que l\u2019art contemporani esdev\u00e9 un terreny de reflexi\u00f3 i de l\u2019al\u00e7a del pensament, per a mi aquesta experi\u00e8ncia visual ens fa reflexionar sobre el que realment genera la foscor de les abs\u00e8ncies i el rastre que aquestes abs\u00e8ncies provoca a la ment de la persona.<\/p>\n<p>El fet que les obres exposades s\u00f3n obres que denoten alguna resist\u00e8ncia a ser contemplades amb facilitat, s\u00f3n obres d\u2019art que amaguen alguna de les parts de l\u2019objecte exposat o b\u00e9 dificulta la seva visi\u00f3 per complet, que provoca en l\u2019espectador l\u2019\u00fas de la imaginaci\u00f3 per poder contemplar-les en la seva totalitat, em fa relacionar-lo amb el valor que prenen les abs\u00e8ncies i les pres\u00e8ncies en la persona.<\/p>\n<p>Per exemple, em fa pensar en la mateixa situaci\u00f3 que en sentir el buit que representa l\u2019abs\u00e8ncia d\u2019una persona, o b\u00e9 ens esforcem per imaginar-la present, b\u00e9 mitjan\u00e7ant la il\u00b7lusi\u00f3 o el record, o b\u00e9 ens abandonem a acceptar aquesta abs\u00e8ncia, acceptant-la finalment com a absent i per tan inexistent per qu\u00e8 no hi \u00e9s present.<\/p>\n<p>Al mateix temps, l\u2019exposici\u00f3 \u201cUna certa foscor\u201d tamb\u00e9 presenta un punt de cr\u00edtica al tractament de la contemplaci\u00f3 de les obres d\u2019art actualment, i com, amb l\u2019evoluci\u00f3 de les tecnologies i talment del tractament del temps, han canviat les mirades dels espectadors envers l\u2019art. Es desenvolupa aqu\u00ed una distinci\u00f3 entre el valor del culte de la imatge i el valor de l\u2019exhibici\u00f3, ja que si b\u00e9, antigament, es valorava molt m\u00e9s la pres\u00e8ncia de l\u2019art, la seva exist\u00e8ncia, avui en canvi, es valora molt m\u00e9s la seva exhibici\u00f3 i rotaci\u00f3 per tal que siguin accessibles per m\u00e9s espectadors millor. Aix\u00f2 implica, en un sentit extrem, que les imatges no s\u00f3n contemplades amb el ritual d\u2019admiraci\u00f3 o impacte que suposa el mer fet de contemplar l\u2019art, amb el temps d\u2019observaci\u00f3, i, potser, respecte i admiraci\u00f3 que es pot donar a cada obra d\u2019art, pel que provoca o pot arribar a fer-nos sentir amb la seva pres\u00e8ncia, sin\u00f3 que actualment l\u2019art \u00e9s menystingut de forma instant\u00e0nia per l\u2019ansietat vers la inquietud per difondre i fer-lo m\u00e9s present i accessible a la resta de la societat. Realment, amb l\u2019\u00e0nsia per difondre, compartir, fer-lo rotar o simplement fotografiar la seva pres\u00e8ncia amb la intenci\u00f3 de mantenir-los intactes a la mem\u00f2ria el que estem fent \u00e9s simplement el contrari, tractar a l\u2019obra com a absent, perqu\u00e8 no li denotem el valor just que precisa la seva pres\u00e8ncia i \u00e9s llavors quan l\u2019arribem fins i tot a ignorar, un cop perpetuada la seva exist\u00e8ncia, per tant tornar a donar-se l\u2019abs\u00e8ncia, el fet de valorar-lo com si no fos present davant nostre, com si no exist\u00eds.<\/p>\n<p>La mostra fa extensible l\u2019exposici\u00f3 a una s\u00e8rie de propostes i material que se situen fora de l\u2019espai expositiu, fora de CaixaF\u00f2rum, on t\u00e9 lloc l\u2019exposici\u00f3, i ho ubica en diferents espais de la ciutat i tamb\u00e9 del ciberespai, segons l\u2019organitzaci\u00f3, aquesta disseminaci\u00f3 m\u00e9s enll\u00e0 dels l\u00edmits f\u00edsics i contextuals de la sala expositiva t\u00e9 a veure amb el despla\u00e7ament de la Gioconda quan va ser robada del Louvre, aix\u00ed com la seva exist\u00e8ncia secreta durant el temps que va romandre oculta. Per a mi en canvi, \u00e9s la continuaci\u00f3 d\u2019un joc de pres\u00e8ncies i abs\u00e8ncies amb el que es basa tota l\u2019exposici\u00f3, provocant-nos aquella certa foscor que ens deixen totes les abs\u00e8ncies que voldr\u00edem fossin pres\u00e8ncia.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>* <a href=\"https:\/\/www.diarisantquirze.cat\/una-certa-foscor-il-dolce-far-niente-per-cristina-redondo\" target=\"_blank\" rel=\"noopener\">Article publicat a la columna d\u2019opini\u00f3 de Cristina Redondo: <em>Il dolce far niente<\/em>, secci\u00f3 Tribuna del <em>Diari de Sant Quirze<\/em> el 05\/12\/2018<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Aquests darrers dies he visitat l\u2019exposici\u00f3 \u201cUna certa foscor\u201d al CaixaF\u00f2rum de Barcelona. L\u2019exposici\u00f3, comissariada per Alexandra Laudo, s\u2019emmarca dins del programa Comisart, i planteja la relaci\u00f3 entre el valor del culte de les imatges i el valor de l\u2019exhibici\u00f3. A l\u2019exposici\u00f3 podrem gaudir d\u2019algunes peces d\u2019art de Joan Brossa, Jos\u00e9 Maldonado, Perejaume, Christo, Tim [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85],"tags":[],"class_list":["post-3290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-il-dolce-far-niente-ca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Una certa foscor Cristina Redondo<\/title>\n<meta name=\"description\" content=\"Aquests darrers dies he visitat l\u2019exposici\u00f3 \u201cUna certa foscor\u201d al CaixaF\u00f2rum de Barcelona. L\u2019exposici\u00f3, comissariada per Alexandra Laudo, s\u2019emmarca dins del programa Comisart, i planteja la relaci\u00f3 entre el valor del culte de les imatges i el valor de l\u2019exhibici\u00f3.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/redondocristina.com\/ca\/una-certa-foscor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Una certa foscor Cristina Redondo\" \/>\n<meta property=\"og:description\" content=\"Aquests darrers dies he visitat l\u2019exposici\u00f3 \u201cUna certa foscor\u201d al CaixaF\u00f2rum de Barcelona. 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